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Remake

remakedesign.com
Brooklyn, NY

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An image of a humble juicer dissolving into the background suggests that design is best when it fades into everyday life. This belief is in opposition to the fetishisation of design objects, which alienates them from their use and context.

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Cartlidge Levene

cartlidgelevene.co.uk
London, England

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A simple typographic arrangement, derived by extracting information from seven Braun products. Superimposing the text dictates composition and reveals where functionality and human touch is most intensely focused.

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Studio Sport

studiosport.in
Basel, Switzerland

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From a certain distance, the lettering FETISH made out of a dot-grid will suddenly appear. This irritation is an attempt to reveal a usually hidden aspect of a product in a surprising way, both honoring and questioning the potential of design.

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studio fnt

studiofnt.com
Seoul, Korea

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Two concentric circles are overlapped to create new pattern and context, representing harmony of form and function in Braun design.

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Ibán Ramón + Dídac Ballester

ibanmasdidac.com
Valencia, Spain

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We made a grid; its repeated module is derived from Braun’s classic graphic system. From this basis we developed four patterns, and onto them we inserted the logotype, which fits logically, like a glove.

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Braun Design

braun.com
Kronberg, Germany

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Bernd Grether

berndgrether.de
London, England

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The poster shows the Braun colour palette from 1955 to 1995. Although the individual product colours are not perfectly reproduced, the systematic approach at Braun during this period is clearly visible.

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studio job, Nynke Tynagel + Job Smeets

studiojob.be
Antwerp, Belgium

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Inspired by one of Dieter Rams’ ten principles of good design, “Good design is as little design as possible”, so we only used shadows & highlights.

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Neubau

neubauberlin.com
Berlin, Germany

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Text by Prof. Paul Heys, UK

Neubau’s Braun 121 Series presents Braun design as: systems of form.

Neubau continues to develop its own standards in systemically archiving, the graphic representation of the modern object.

We request these objects, or representations of these objects, in poster form are presented at actual size. Using DIN A0 as the accurate format allows the subtle implementation of ambiguity whilst adding clarity and technical detail where necessary. 

Producing an interconnecting network of 1:1 scale (graphic illustrations) exemplifies the modularity and beauty of Braun design and typifies the critical position of Neubau in it’s efforts to present factual reproduction. 

A modern still life.

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Neubau

neubauberlin.com
Berlin, Germany

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Text by Prof. Paul Heys, UK

Neubau’s Braun 121 Series presents Braun design as: systems of form.

Neubau continues to develop its own standards in systemically archiving, the graphic representation of the modern object.

We request these objects, or representations of these objects, in poster form are presented at actual size. Using DIN A0 as the accurate format allows the subtle implementation of ambiguity whilst adding clarity and technical detail where necessary. 

Producing an interconnecting network of 1:1 scale (graphic illustrations) exemplifies the modularity and beauty of Braun design and typifies the critical position of Neubau in it’s efforts to present factual reproduction. 

A modern still life.